NASHEN MOODLEY
FESTIVAL DIRECTOR
The Sydney Film Festival is the culmination
of a year of hard work, and in many ways,
the Festival is the same as the films we screen.
Both are the products of people with a wide
range of knowledge, skills, talents and points
of view all working together to create a cohesive
whole. Now in its 64th year, SFF continues
to bring together all those disparate and
often-rarely-seen international points of view,
opening a window into the lives of people and
places you might never otherwise experience.
Hundreds of films from across the world come
together in one place, to show all the world
from every angle. It’s a multidimensional
survey of who, what, where and why we are
today: a status report on the human condition,
the state of the planet and the hopes, fears
and dreams of all who share it.
When you consider the festival as this kind
of polysided, multi-angled gem, it helps us
realise what a powerful phenomenon it is.
A true one of a kind, typified by the dozens
of incredible films from around the world that
Sydneysiders won’t get another chance to
experience on the big screen.
This year we also proudly celebrate the tenth
anniversary of the Sydney Film Prize, and all
the wonderful films and filmmakers that have
appeared in the Official Competition over this time.
It is a slate of exciting films yet again, but I’m
also eager for audiences to experience our
many other sections. We offer the genre delights
of Freak Me Out, the Indigenous cultures of First
Nations, our spotlight on Canada, our expanded
VR programs at The Hub and much more.
I must also mention our Festival Chairman
Chris Freeland, in his last year as Chair after
eight years. He has been instrumental in the
Festival’s continued success and we thank him
for his leadership and support.
Every year, Sydney Film Festival creates a time
and a space for us to reflect on what is
important, good and bad and scary and hopeful
and, well, everything, to everyone, everywhere.
Welcome once more to that special time of year.
We acknowledge Australia’s First Nations People as the Traditional Owners and Custodians of the land, and pay respect to the Gadigal people of the Eora Nation, upon whose Country SFF are based.
We honour the storytelling and culture of Aboriginal and Torres Strait Islander communities across Australia.