Following the previous year’s launch of the new Sydney Film Prize, this year the FOXTEL Documentary Prize was kickstarted. Meanwhile, after a number of gruelling events of up to 16 days and 200+ screenings, the festival moved to a more streamlined 12-day program.
Films screened this year included Henry Selick’s Coraline, Rachel Ward’s Beautiful Kate, Amiel Courtin-Wilson’s Bastardy, Scott Sanders’ Black Dynamite, Steven Soderbergh’s epic Che: Parts 1 and 2, Lynn Shelton’s Humpday, Armando Iannucci’s In the Loop, Jim Jarmusch’s The Limits of Control, Bruce McDonald’s Pontypool and Abbas Kiarostami’s Shirin.
Restoration screenings of Agnes Varda’s Cleo from 5 to 7, Mai Zetterling’s The Girls and King Vidor’s The Big Parade were held in lieu of a full retrospective program.
Official Competition Jury President was Australian director Rolf de Heer.
The Ian McPherson lecture was delivered by Peter Carlton.
Opening Night Film: Looking For Eric (directed by Ken Loach)
Closing Night Film: An Education (directed by Lone Scherfig)
Award Winners
Sydney Film Prize:
Bronson (directed by Nicolas Winding-Refn)
FOXTEL Australian Documentary Prize (co-winners):
A Good Man, directed by Safina Uberoi
Contact, directed by Martin Butler and Bentley Dean
Dendy Award for Australian Short Films (Best Fiction):
Miracle Fish, directed by Luke Dolan
Yoram Gross Animation Award:
The Cat Piano, directed by (Eddie White and Ari Gibson)
Rouben Mamoulian Award:
Rene Hernandez, director of The Ground Beneath
We acknowledge Australia’s First Nations People as the Traditional Owners and Custodians of the land, and pay respect to the Gadigal people of the Eora Nation, upon whose Country SFF are based.
We honour the storytelling and culture of Aboriginal and Torres Strait Islander communities across Australia.