Picture a cross between City of God and John Waters: this 1973 Brazilian classic’s mix of gangster grit, colorful camp and LGBTQIA+ pride is still ahead of its time.
We acknowledge Australia’s First Nations People as the Traditional Owners and Custodians of the land, and pay respect to the Gadigal people of the Eora Nation, upon whose Country SFF are based.
We honour the storytelling and culture of Aboriginal and Torres Strait Islander communities across Australia.