Raoul Peck, director of 'Moloch Tropical' the seething Haitian satire screening as part of this year's official competition, discusses the the genesis of the film, his thoughts on the relationship between art and an audience, and using the absurd as a weapon when words have lost their meaning.
We acknowledge Australia’s First Nations People as the Traditional Owners and Custodians of the land, and pay respect to the Gadigal people of the Eora Nation, upon whose Country SFF are based.
We honour the storytelling and culture of Aboriginal and Torres Strait Islander communities across Australia.