“The mother of all my films,” according to Kiarostami. It begins as a breezily observed anecdote about a boy weaving through Tehran alleys with a loaf of bread.
We acknowledge Australia’s First Nations People as the Traditional Owners and Custodians of the land, and pay respect to the Gadigal people of the Eora Nation, upon whose Country SFF are based.
We honour the storytelling and culture of Aboriginal and Torres Strait Islander communities across Australia.